Showing posts with label Poem. Show all posts
Showing posts with label Poem. Show all posts

Tuesday, December 25, 2012

Ambien Dreams

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Ambien Dreams


Breathe so heavy that the blanket breathes with me
watching the smoke detector so closely it'll never get the chance
to bolt out the window like I know it's thinking
because I'm so goddamn real that I can see its thoughts when I close my
eyes of precious stones and bodies of straight gravel they 
pound for pound are the strongest spirit animals I've spoken with
raccoons and foxes traded soft for hard and jagged and
even the owls don't seem to mind they're too heavy to fly again
so they oversee production on a road must be somewhere important
laying down the furs and pelts they've traded for 
and I can feel eyes like there are four or five of us
but the bodies mirage when I try too hard to focus
if I'm in a cave it has a mouth
if I'm not there's a whale nearby
and they're both trying to swallow me whole
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There you have it, post number twenty-seven. I love that number.(approach with trepidation)

Thursday, November 29, 2012

Thanks

I don't usually get into the holiday spirit much. Don't get me wrong, I like to give and I like to receive, I like to dress up and be with family and be thankful. I especially like to get drunk and dance in the snow to chime in a new year. Maybe it's the whole "good will towards men" thing that I'm not in tune with. Either way, as Thanksgiving passed, I did take a moment to reflect on what I'm thankful for, so I wrote about it. I very recently received my 2000th hit, and that's a big deal to me. So I would like to extend my thanks to you, dear reader. My words might as well be so much ash without someone to read them. So cheers, and tell your friends.

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Thanks

I'm thankful for insomnia
or mostly just the cause
like people who can sleep at night
don't have any thoughts worth keeping them up

Also leather, cats, the ocean, bones
trees, stars, feathers and words
and the way I can wield them

Magic and Tigers and Girls and Ghosts
but mostly the way I don't need to say that
because some things I'll always
be thankful for

And for my state of mind
and that I have the courage to say it
without worrying
about it dissolving
from beneath me
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There you have it, post number twenty-six. (approach with trepidation)

Tuesday, November 20, 2012

Fears and Hospitals

I've been developing a fascination with words used to describe harm or violence, often used out of that context. This poem is about a kind of loss, which I am simultaneously clueless about and quite familiar with. I can't really explain it, and judging from what I've written here, I hope I don't have to experience any time soon, because I'm clearly ill prepared for it. Also, please forgive my chaotic punctuation, I've never really gotten the hang of properly punctuating poetry. I'll work on that.

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Fears and Hospitals

All these afflictions
from a list, laundry-like
expressed clinically
and dispassionate
Dry
like my eyes
in stark contrast to yours
But my sleep's been stretched
thin, full of holes
or artificial and stupor-like
the product of sleep aids and alcohol
in stark contrast to yours
comatose
until moments ago

Now I know what fountain
this feeling springs from
that twists tendrils
round my ankles and shoots
chills charging past my shins
fills my throat with water
I can breathe but I can't swallow

like your swollen and tender
will not allow

your chest and it's broken
ragged breaths
and how you shake from the
searing and shooting
to draw them

I'll never see again
thesameform thesamegrace thesameshape
never curl myself around those
shattered clavicles
serpentine 
ohgod

what if I wake
all twisted in dreams
and can't bear to leave my bed
and you're not there to temper me?
ohgodohgod

Our eyes are 
temporarily the same
when they talk about 
just how so very long
they expect before you'll walk again
and I have to leave the room
ohgodohgodohgod

And all I can think of is
how I need a drink 'cause
I can't deal with this
and where are my meds
and I'm not all here
and if bones are your problem
you can have mine I don't need them
cut bits of my ribs or my shins or my spine
my fingers take my fingers
I'll hold the scissors
ohgodohgodohgodohgod

I'm just bits
and parts and pieces
connected by tissues
and tendons
and creases
and without you that's all I can be
I don't need the sum of my parts
I need you, goddamnit

But all this wild-eyed fear
I plant beneath the surface
because the last thing you need
is my typical breathless
wandering chaotic
thought trains and panics
I'll summon strength for you
if I can manage
and squeeze your sweet fingers
undamaged
and say
"Baby, can I get you a sandwich?"
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There you have it, post number twenty-five. (approach with trepidation)

Thursday, November 15, 2012

Blues

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Blues

Girl's got bruises on her heart
you can see from across the room
When we got to talking
I could tell that they were new

freshly black and green
purple and blue
but despite all the damage
She's so goddamn cute

and my skin's grown thick enough at last
that when she bites it doesn't sting
and the rattle of prescription bottles from her pocket
is no longer frightening

so I took her to a seedy bar
where they turn the lights down low
I poured out her beer
and she poured out her woes

I went to the jukebox
and put on the blues
because I knew that's what she had
but not sure that she knew

I put one hand on her waist, 
the other around her hand
her eyes went wide, she stammered and blushed
opened her mouth to protest, but found herself hushed

I started swaying to and fro
and told her to shut the fuck up
with no ill will in mind
she managed to shake off the shakeup

and she smiled
real quick
and real quiet
in secret

and we danced.
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There you have it, post number twenty-four. (approach with trepidation, such trepidation)

Friday, September 21, 2012

While Everyone

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While Everyone


I wanna meet her
while everyone is dancing
and dance with her
while everyone is leaving
and whisper with her
while everyone is sleeping
and walk with her
while everyone is driving
and sing to her
while everyone is eating
and listen to her
while everyone is talking
and kiss her
while everyone is fighting
and fight her 
while everyone is fucking
and love her
while everyone is watching
and bury her
while everyone is crying
and remember her
while everyone is moving
and forget her
while everyone is meeting
and then
everyone is dancing again

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There you have it, post number twenty-one. (approach with trepidation)

Thursday, September 13, 2012

Alone

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Alone

when I'm alone
I drink
and dance
like you wouldn't believe
even if I told you
I sway and sweat
slain in the spirit
when the music touches me
I go where it wants
to take me
when there's no one around
to shake their head
then I shake and cry
and laugh and spasm
all at once
because what's the difference?

you don't have enough skin
to tattoo what I'm feeling
under

it's a horrible means
as I throw myself
around in most dramatic fashion
to a wonderful end
I destroy a little of myself
with a smile
so I can create.

Because they say you die twice
you know
it's a wonderful end

I can't help but wonder
if this comfort doesn't lessen
my chances at trying it another way
if I had all my wasted hours back
would I rather waste them with you?
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That was...difficult, but maybe more true than anything I've written in a long time. I may be on to something here. No promises, but stay tuned. 

There you have it, post number twenty. (approach with trepidation, I mean it)

Wednesday, September 5, 2012

Let someone else talk

I now ask that with trepidation you approach not works of my own, but works of men far older, more talented, and deader than I. The following are not my poems, but poems I love and have cherished for a long time through my own experience with writing. Please enjoy, and I will resume normal, non-stolen postings hereafter.

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ANARCHY.
JOHN HENRY MACKAY.

Ever reviled, accursed, ne'er understood,
Thou art the grisly terror of our age.
"Wreck of all order," cry the multitude,
"Art thou, and war and murder's endless rage."
O, let them cry. To them that ne'er have striven
The truth that lies behind a word to find,
To them the word's right meaning was not given.
They shall continue blind among the blind.
But thou, O word, so clear, so strong, so pure,
Thou sayest all which I for goal have taken.
I give thee to the future! Thine secure
When each at least unto himself shall waken.
Comes it in sunshine? In the tempest's thrill?
I cannot tell--but it the earth shall see!
I am an Anarchist! Wherefore I will
Not rule, and also ruled I will not be!


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INCIDENT OF THE FRENCH CAMP.
ROBERT BROWNING


 I.

You know, we French stormed Ratisbon:
  A mile or so away,
On a little mound, Napoleon
  Stood on our storming-day;
With neck out-thrust, you fancy how,
  Legs wide, arms locked behind,
As if to balance the prone brow
  Oppressive with its mind.

 II.

Just as perhaps he mused "My plans
  "That soar, to earth may fall,
"Let once my army-leader Lannes
  "Waver at yonder wall,''---
Out 'twixt the battery-smokes there flew
  A rider, bound on bound
Full-galloping; nor bridle drew
  Until he reached the mound.

 III.

Then off there flung in smiling joy,
  And held himself erect
By just his horse's mane, a boy:
  You hardly could suspect---
(So tight he kept his lips compressed,
  Scarce any blood came through)
You looked twice ere you saw his breast
  Was all but shot in two.

 IV.

"Well,'' cried he, "Emperor, by God's grace
  "We've got you Ratisbon!
"The Marshal's in the market-place,
  "And you'll be there anon
"To see your flag-bird flap his vans
  "Where I, to heart's desire,
"Perched him!'' The chief's eye flashed; his plans
  Soared up again like fire.

 V.

The chief's eye flashed; but presently
  Softened itself, as sheathes
A film the mother-eagle's eye
  When her bruised eaglet breathes;
"You're wounded!'' "Nay,'' the soldier's pride
  Touched to the quick, he said:
"I'm killed, Sire!'' And his chief beside
  Smiling the boy fell dead.

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The Hollow Men
T. S. ELIOT

Mistah Kurtz—he dead.

      A penny for the Old Guy

      I

We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
As wind in dry grass
Or rats’ feet over broken glass
In our dry cellar

Shape without form, shade without colour,
Paralysed force, gesture without motion;

Those who have crossed
With direct eyes, to death’s other Kingdom
Remember us—if at all—not as lost
Violent souls, but only
As the hollow men
The stuffed men.

      II

Eyes I dare not meet in dreams
In death’s dream kingdom
These do not appear:
There, the eyes are
Sunlight on a broken column
There, is a tree swinging
And voices are
In the wind’s singing
More distant and more solemn
Than a fading star.

Let me be no nearer
In death’s dream kingdom
Let me also wear
Such deliberate disguises
Rat’s coat, crowskin, crossed staves
In a field
Behaving as the wind behaves
No nearer—

Not that final meeting
In the twilight kingdom

      III

This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man’s hand
Under the twinkle of a fading star.

Is it like this
In death’s other kingdom
Waking alone
At the hour when we are
Trembling with tenderness
Lips that would kiss
Form prayers to broken stone.

      IV

The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley
This broken jaw of our lost kingdoms

In this last of meeting places
We grope together
And avoid speech
Gathered on this beach of the tumid river

Sightless, unless
The eyes reappear
As the perpetual star
Multifoliate rose
Of death’s twilight kingdom
The hope only
Of empty men.

      V

Here we go round the prickly pear
Prickly pear prickly pear
Here we go round the prickly pear
At five o’clock in the morning.

Between the idea
And the reality
Between the motion
And the act
Falls the Shadow
                                For Thine is the Kingdom

Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow
                                Life is very long

Between the desire
And the spasm
Between the potency
And the existence
Between the essence
And the descent
Falls the Shadow
                                For Thine is the Kingdom

For Thine is
Life is
For Thine is the

This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.
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There you have it, post number nineteen. (approach with trepidation)

Sunday, September 2, 2012

Shivers

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Shivers


your skin, susurrus, susurrus, 
curls smokey around my outline
between ill-at-ease and shivers
I've been looking like hell for quite some time

the condition of my spine
is not your business business
but demurity could ply my tongue
cap ti vay ted by your fitness

I'd be lying if I said I didn't
rant and rave about you when I'm 
knee-deep inside my bottle

climbing rooftops to catch 
a breath of air to converse with
because our world has been on fire

when I shake murmurous murmurous
like I've caught the holy ghost
who's gonna exercise me?
slapping my hand against the post

I wish I could put you in a vial
for when I crave that comeliness comeliness
oh your sugar on my tongue
and not our derelict lilting dalliance

and I'm building an updated
version of me, out of
a sturdier material, I hope

kicking in doors bruised
shins and shadows stapled
to the floor for their mischief

The worst part of it all
Is I can see you sitting
calmly smiling 
hoping that I'm rising 
to the occasion

While I might as well be
sitting paralyzed
with fear 
playing operation
on the living room
floor
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There you have it, post number eighteen. (approach with trepidation)

Friday, August 24, 2012

Mentiroso


I speak a little Spanish. I studied it for a while in high school, and I have an appreciation for the aesthetic quality of the language. It can sound quite beautiful when not a harsh high-speed trill, but more carefully enunciated, like is spoken in Spain. I admit, my Spanish is not good enough to write this outright, so I used a translator to help me out a bit. As you read it, even if you don't speak the language, try and say the words out loud to yourself. Get a feel for them. It's not just about the meaning, the words themselves are important too.

This was inspired by a disjointed, adventurous dream I had. Only being able to remember bits and pieces can be helpful, sometimes.

For simplicity's sake: http://translate.google.com/

Go ahead, it's not cheating, I promise.


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Mentiroso

covered in a thin layer of sweat
como la escarcha de la desvelo
down the tunnel, tight and dim
huye el mentiroso
bag laden with ill-gotten goods
con todo tesoro mio
hesistates, hearing me plead
"No me tires a las arañas"
kneeling, placed them on the ground
para reunir como diosecillos
The holy book tucked in my robes
las palabras sagradas
is in a language I cannot speak
una lengua ajena extraña
but I can still read it
con mis costillas
I traced his steps to the cliffside
pero se desapareció
cliffside is such a beautiful word
sin embargo, un final amargo
madman, I journeyed home
discutiendo con mi reflejo
there's a girl in the house
olvidada/reclusa/esclava
forbidden from leaving
herir apretado
so happy to see me
ella cae de su ropa
but it's all nonsense
las mentiras de la mente
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There you have it, post number seventeen. (approach with trepidation)


Thursday, August 16, 2012

Dead Astronauts Part 2

Let's admit it: space is scary. We live in a tiny bubble in a very hostile reality. If you were instantly transported out of our bubble and anywhere else in the entire universe, you would die in seconds. Every time. It's too hot or too cold, there's radiation and solid objects moving very quickly. Things are blowing up and coalescing. Maybe, just maybe, there's something...someone out there too, watching or perhaps plotting.

That being said, I want to explore all of these frightening and dangerous things. I want to stand on the solar-wind swept surface of a lifeless rock, looking into the blue-hot face of a star that takes up my entire field of view. I want to feel heat and cold unlike anything experienced on my home planet. I want to shake hands (or membranes, or tentacles or pseudopods) with the natives of these strange new places. I want to stand on the surface of a titanic planet, and gaze on a mountain the size of the continent I was born on.

Obviously, I can't. I'll die. Even if I wouldn't, these places are impossibly far away. Our closest neighbor star (proxima centauri, the nearest centaur) is 4.24 light years away. If I was born today on a state-of-the-art spacecraft travelling towards it at maximum velocity, I would die of old age before we arrived. So the best I can do is chew up scientific journals like travel brochures of the most far off and exotic places that will ever be. They might as well be fiction, they're so impossible to reach. And if they're fiction, I might as well create a few of my own.

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Dead Astronauts

silent
sleepless
star sailors
visors down
so your face becomes theirs
too close to death
to reach the next port
even when they were born
stepping aboard
celestial schooners

sacrificing their minds
and bodies
for a scant chance 

at being a corpse
washed up on strange shores

exposed to blackness
beyond the backdrop
of the stars that scar our ceilings
while the rest of us slowly circle
staring at our hunters and swans
crabs and bulls
lighthouses
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There you have it, post number sixteen. (approach with trepidation)

Friday, May 25, 2012

Tenebrous

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Tenebrous


The bloated, dying sun
oozing red rays

through the tenebrous sky
tripping over particulates floating
that lose their way in sick
jaundiced haze
before falling
exhausted and diffuse
on my skin


So, finding no pleasure in the heavens
I turned to the earth
The off-white cobbles 
over which I walked
(and I dare not call them cobblestones
for here and there I swear I spy
an orbit or a clinging tooth)
lead a rambling path through plains
of iron shards
rusted
desiccated
thirsty
in twisted mockery of grass
if you draw your hand down
near their tips
they strain towards you
like magnetism
or hunger


Scattered across those
Tetanus Fields
were old stone tables
like pagan altars of ages gone
adorned with ram-horned women
who strike carnal poses
beckon and thrust and moan
sweating for the taste
and press
of flesh


and far behind me
the air, it shook
with the sound of
creaky-hinged doors
of prisons and dungeons
as the great swinging arms
and razor wire
and wastebins
of the harvester
trailing its ashes behind
searching
always searching
for what, I do not know


so I followed that
yellowing path
to the crumbling city
since the outskirts seemed so...
insidious


There amid the 
crumbling brownstones
and ruddy clay bricks
all smeared with ash and tar
and saints-know-what-else filth
I came upon
a cheery gentleman


He wore a crooked stovepipe hat
and a rakish grin
a longtailed coat with a row
of bright brass buttons
and a familiar wink
a sharp sort of man
to say the least


He tipped his hat and greeted
"Good evening, Madam."
though I am a sir
and as I squinted in questioning
I came to realize my error


I had seen him before
beside my bed
when I woke
had I woke?


Then I could see the truth of him
every tooth pointed
eight fingers on his hands
Brass irises; eyes of the damned
smokey wisps peeking and fleeing
between his hat and raven curls
and his outline like a migraine
the walls are wrong
the walls are wrong


So I shrank, I'm not ashamed
from the devil before me
and turned to make my escape
down a candlelit alleyway


Lying black and savage
in my path
with the size and stature of a stag
a dreadful thing
like what chases wolves in their dreams
and it chews on a cast-iron chain
like a dog on a bone
dripping red-tinged ichor
and wears a stately collar
like a mans, not a dogs


It looked at me
and I knew it knew
everything I'd ever hidden
and though mine did,
its gaze never left me


Its gaze never left me.


and I ran, I'm not ashamed.


In my panicked state
I caught a glimpse and a mouthed word
from a raven-haired girl
with a white bonnet cap
tattooed with birds
flying from her clavicles
demure and pouting
lips not quite hiding little fangs
and those damned brass eyes
sparkling with lively intelligence
looking back over her shoulder 
down the street that I ran:
Delicious


Thus I awoke
in my bed
with no cheery gentleman beside
But I'm afraid I won't be joining you tonight
dear friends
for it seems in my state
I wrote on my walls:


THEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGTHEYARECOMINGT
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There you have it, post number thirteen. (approach with trepidation)

Sunday, May 13, 2012

Matador

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Matador


It's a bull
slumbering atop 
blossoms beneath
blue and pink
and green between them
whose nectar I would greedily drink
dribbling down my chin
as such is my weakness


Chestnut and blonde
the taut flanks rise
serenely sleeps the beast
notched and splintered
crimson cloves
the taut flanks fall


Stirring my tongue
to talking
and other things
readying fingers
for action
and other things


I can't be sure
without the truth of the eyes
stripped of protections
just how many bones are buried beneath
the scars are well-hidden too
because the bull will not speak


And yet I have a feeling
if I take up my cape and sabre
I'll end up beneath
left broken and bloody
with those cloven marks
pressed
on my damned matador's heart


because it sleeps
and I do not.
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There you have it, post number twelve. (approach with trepidation)

Friday, May 11, 2012

While the ink is wet

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While the Ink is Wet


pulling back indigo drapes
two moons
full and bright
fight for rulership
of your night
shining such as sun-spared skin
of Oriental women
and these moons heave with breath


keeping them within arm's reach
to catch a glimpse
(just a glimpse)
of those holy tattoos
those winking inks
and the exotic lands they promise
before blindness
off the light reflected
from her belt buckle


It might be a man's world
but we built
it all for
you
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There you have it, post number eleven. (approach with trepidation)

Friday, April 20, 2012

Godspeed


My mind has been stuck in space. I think I'll be writing about it a lot in the coming weeks. I just finished collaborating (my first time doing so) with a DeviantArt friend of mine on a poem about space. I'm really pleased with how it turned out and I'd like to share it with you.

If you have the time, I encourage you to check out her gallery. Her name is Baylee, but she goes by hhesitate. She's quite the prolific artist/writer. You may find her gallery here: http://hhesitate.deviantart.com/ Please do not stalk her. (seriously)

Poem.
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Godspeed

sometimes i pretend i'm a dragonfly -
skimming across a pond 
at midnight, 

seeing things
all as a reflection,
and i'm not alone between the stars

deluded
prying open my consoles
convinced
if i can eat all the wires
i'll become a machine and not need air
and open all the windows
of my little ship to purge the oxygen
from my skin, a quiet and 
translucent burden

i swear,
if i see one more
violent,
violet,
haunting-my-dreams
nebula
i'll open all the windows
and float on home:

(after all
my heart
is just an engine
made from the remnants
of a dying star)

sometimes
when i know no one
is watching, i'll turn on the speakers
spewing static and subsonic waves,
and interpret solar radiation
as sound, surrounding everything 
with the voices of old gods
the billions and billions
of old gods

which is silly, because i'm the only soul out here, after all

give my apologies to the engineer
who built my little ship;
i'm afraid he won't want it when i return
as i've drawn all over it, you see,
images leaking from my head 
where the cosmos have bent away
refracted dust and starlight
creeping from the windows
like curling frost
or cracks, chasing one another, 
godspeed 

i think the astronauts have
made a mistake: it's more lively up here 
than any average day on the sun-soaked earth,
even if the craters and comets aren't alive, anyway:
if dust fades to dust, and if dust 
is what was and what will be, 
i've fallen further for it than anything else
(even if i am miles and miles and light years high)
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There you have it, post number eight. (approach with trepidation)

Tuesday, April 3, 2012

Dead Astronauts

The word "Astronaut" won't really mean anything for very much longer. In a world where people can take a commercial flight into space or even an elevator ride to an orbital station, what does an astronaut become? The etymology of the word means "Star Sailor." Is then an astronaut someone who travels to or through outer space professionally? Surely we will come up with a better words for it than that. The word "astronaut" will no longer be useful. It will die.

Dead words are very sad things. There are surely Latin words that haven't been spoken aloud for many many years. Imagine they had a specific word for...I dunno...the person who comes to the public baths intoxicated.. This word is now dead. In fact, it's dead twice-over. It dies first when public baths were no longer available or fashionable, so a word for a drunkard there would be useless. It dies again with the Latin language. Granted, Latin isn't precisely dead, but this particular word has no place in our world, and how would we translate it?

This will happen to the astronauts. The first courageous souls to step beyond our own world won't have a title in the distant future, because they will have many words for those who travel in space, and our primitive word for the beginning of that era just won't fit. It's sad, not just because the word will die, but the romance associated with it.

Yes, romance. There's something romantic about being isolated out in the unknown with little chance for survival or return. That's what makes David Bowie's "Space Oddity" so touching. This romance bleeds from the situation and permeates other things associated with astronauts, like the ridiculous suits and helmets. They're like cowboys. Cowboy hats became romantic symbols because they were associated with the figures who wore them. That domed reflective visor that astronauts wear is the same way, it's associated with the space pioneers who wore them. You can see out at everything around you, but nothing can see in, adding another layer to the isolation of space.

Here's a poem about space:
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I Saw Your Ship


I saw your ship
heading so far away;
your beautifully crafted bones
protecting a beautifully crafted heart
among Orion's remains.
Why so far away?
Are the stars here so boring,
so lacking in their lustre,
that you must seek new horizons?
I know how you feel.
The same thing brought me here,
so long ago.
Olympus Mons is long-since stale
and none care for Ceres since Chisme came,
crashed
and made craters of her caves.
I thought things would be better here,
in the innards of so great a hunter,
but you can't see the colors
for all the dust in the air.
So cold since Betelgeuse burned out.
I'm going to sleep now,
until the stars look foreign again.
I'll dream of you, in your
sleek stellar schooner;
so splendorous I'm unworthy.
Hope my last power cell lasts the trip.

Perhaps we'll meet again
  once you've found the
    light you're looking for
             out there
                 in all this
                               Black.

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Here's another one about space, and cowboys too:

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Shoulda been a Space Cowboy

I should have been a cowboy
But that frontier is gone
The only unknown places left
Lie beyond the light of our sun
Now I can be a space cowboy
With the solar wind dancing in my hair
Letting the stars sing me to sleep
And find my peace out there
I look at my own reflection
It's not all I want to be
There's as many stars as there are people
So there's somewhere out there for me
I'll find some far-off pulsar
Live 'neath its radioactive dome
And if I point my satellites just right
I can hear the music back home
When the time comes for me
To lay down and die
I'll float into a supernova
And my dust will be a star, by and by
Don't take the blame upon yourself
I know you tried to make me stay
There's so little left here for me
The world's a pound and I'm a stray
If you love me like you say you do
Tell all the world that you won't miss them
Take my hand in the deep-space prairie
And be my binary system
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There you have it, post number seven. (approach with trepidation)

Wednesday, March 14, 2012

Damn.

Remember that guy from last week's post? The goofy guy who's getting married? Well, new information has surfaced that his marriage may have been arranged. Do you know what that means?


I am an asshole.


In other news, I read this book called "Love is a mixtape" by Rob Sheffield. It's totally badass if you're into music, or love. And if you're not into music or love:
GET THE FUCK OFF OF MY BLOG.

Anyway, he mentioned how this girl once told him that all boys are either Beatles boys or Stones boys. You can love them both, but only one of them is yours forever. It was appropriate for the era. For the record, between the two of these, I'm a Stones boy, but I'm not a huge fan of either, to be honest.

I just love it when people are so into music for such a long time that they get this "big picture" kind of unique viewpoint about certain things. One that I've observed is the following, I just haven't figured out a romantic way to say it like she did above. 



There are three bands. One of these bands you love. One of these bands you like. One of these bands you could do without. These bands are Stone Temple Pilots, Soundgarden and Pearl Jam. For me, they correspond to the categories in the order I put them, but it's different for everyone. I work with another guy who freaking loves Pearl Jam, but doesn't care for STP. 


I plan on sharing these various musical "Big Picture" ideas with you from time to time.

Poem time:
---------------------------------------------------------------------------------------------
Damn.


The damned mill around in slow
sad
circles
blowing smoke rings


here the brass plays constantly


you can walk by
their pit
and smell the gunsmoke
from pistols that
have long since
rusted away


The spurs don't jingle anymore
and there's no
barley and oak

to taste


The frontier is settled
and so they mill
carving circles in the ground
with their restlessness
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There you have it, post number six. (approach with trepidation)