Thursday, November 29, 2012

Thanks

I don't usually get into the holiday spirit much. Don't get me wrong, I like to give and I like to receive, I like to dress up and be with family and be thankful. I especially like to get drunk and dance in the snow to chime in a new year. Maybe it's the whole "good will towards men" thing that I'm not in tune with. Either way, as Thanksgiving passed, I did take a moment to reflect on what I'm thankful for, so I wrote about it. I very recently received my 2000th hit, and that's a big deal to me. So I would like to extend my thanks to you, dear reader. My words might as well be so much ash without someone to read them. So cheers, and tell your friends.

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Thanks

I'm thankful for insomnia
or mostly just the cause
like people who can sleep at night
don't have any thoughts worth keeping them up

Also leather, cats, the ocean, bones
trees, stars, feathers and words
and the way I can wield them

Magic and Tigers and Girls and Ghosts
but mostly the way I don't need to say that
because some things I'll always
be thankful for

And for my state of mind
and that I have the courage to say it
without worrying
about it dissolving
from beneath me
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There you have it, post number twenty-six. (approach with trepidation)

Tuesday, November 20, 2012

Fears and Hospitals

I've been developing a fascination with words used to describe harm or violence, often used out of that context. This poem is about a kind of loss, which I am simultaneously clueless about and quite familiar with. I can't really explain it, and judging from what I've written here, I hope I don't have to experience any time soon, because I'm clearly ill prepared for it. Also, please forgive my chaotic punctuation, I've never really gotten the hang of properly punctuating poetry. I'll work on that.

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Fears and Hospitals

All these afflictions
from a list, laundry-like
expressed clinically
and dispassionate
Dry
like my eyes
in stark contrast to yours
But my sleep's been stretched
thin, full of holes
or artificial and stupor-like
the product of sleep aids and alcohol
in stark contrast to yours
comatose
until moments ago

Now I know what fountain
this feeling springs from
that twists tendrils
round my ankles and shoots
chills charging past my shins
fills my throat with water
I can breathe but I can't swallow

like your swollen and tender
will not allow

your chest and it's broken
ragged breaths
and how you shake from the
searing and shooting
to draw them

I'll never see again
thesameform thesamegrace thesameshape
never curl myself around those
shattered clavicles
serpentine 
ohgod

what if I wake
all twisted in dreams
and can't bear to leave my bed
and you're not there to temper me?
ohgodohgod

Our eyes are 
temporarily the same
when they talk about 
just how so very long
they expect before you'll walk again
and I have to leave the room
ohgodohgodohgod

And all I can think of is
how I need a drink 'cause
I can't deal with this
and where are my meds
and I'm not all here
and if bones are your problem
you can have mine I don't need them
cut bits of my ribs or my shins or my spine
my fingers take my fingers
I'll hold the scissors
ohgodohgodohgodohgod

I'm just bits
and parts and pieces
connected by tissues
and tendons
and creases
and without you that's all I can be
I don't need the sum of my parts
I need you, goddamnit

But all this wild-eyed fear
I plant beneath the surface
because the last thing you need
is my typical breathless
wandering chaotic
thought trains and panics
I'll summon strength for you
if I can manage
and squeeze your sweet fingers
undamaged
and say
"Baby, can I get you a sandwich?"
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There you have it, post number twenty-five. (approach with trepidation)

Thursday, November 15, 2012

Blues

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Blues

Girl's got bruises on her heart
you can see from across the room
When we got to talking
I could tell that they were new

freshly black and green
purple and blue
but despite all the damage
She's so goddamn cute

and my skin's grown thick enough at last
that when she bites it doesn't sting
and the rattle of prescription bottles from her pocket
is no longer frightening

so I took her to a seedy bar
where they turn the lights down low
I poured out her beer
and she poured out her woes

I went to the jukebox
and put on the blues
because I knew that's what she had
but not sure that she knew

I put one hand on her waist, 
the other around her hand
her eyes went wide, she stammered and blushed
opened her mouth to protest, but found herself hushed

I started swaying to and fro
and told her to shut the fuck up
with no ill will in mind
she managed to shake off the shakeup

and she smiled
real quick
and real quiet
in secret

and we danced.
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There you have it, post number twenty-four. (approach with trepidation, such trepidation)